Dennis Hopper Dies At 74

Dennis Hopper, best known as the director and star of Easy Rider and for his roles in Hoosiers, Blue Velvet and Apocalypse Now, died Saturday in Venice, California of prostate cancer. He turned 74 two weeks ago.

Born May 17, 1936 in Dodge City, Kansas, Hopper was a life-long fixture in Hollywood. His long career included roles in some of the best or most well-known films from each decade of the last half-century. In the '50s he appeared in two of James Dean's three films; as one of the goons, troubling Dean's Jim Stark in 1955's Rebel Without a Cause, then as Jordan Benedict III in Giant. Hopper became friends with Dean, who died in a car accident in September of 1955, as his star was on the rise.

Hopper spent much of the '60s on television, usually playing a nervous, fidgety criminal but Hopper ended the decade with a triumph. He directed and starred in Easy Rider, a film made on a shoestring that became a nation-wide phenomenon and that helped define the hippie generation (at least for people who weren't really of that generation). Hopper played Billy, half of an iconic duo, looking for America with Wyatt (aka Captain America), played by Peter Fonda (who also co-wrote the film). The memorable third act line from Wyatt, "You know Billy, we blew it" would bedevil critics as they hounded both actors for the meaning of the line for the next forty years. Nevertheless the film was nominated for an Academy Award for the script and neither men ever essentially divulged what that line truly meant.

The film made so much money that Hopper was allowed to indulge in his whims and darker demons through the next thirteen years, first directing the bizarre The Last Movie and thereafter cementing his reputation as an erratic, difficult person to be around and to employ.

The '70s included Hopper's underrated turn as Tom Ripley in Wim Wenders's The American Friend and as a photographer-turned-high-priest proselytizing for Marlon Brando's jungle-god Kurtz in Francis Ford Coppola's Apocalypse Now.

Hopper's rumored drug addictions and abusive demeanor while high were part of his mystique until 1983 when a nearly catatonic Hopper was found wandering in the woods in Mexico naked. He entered rehab shortly after which then resulted in a rumored 30-year-dedication to sobriety and another one of his comebacks.

1986 was a particularly kind year to Hopper as Blue Velvet and Hoosiers (and a minor role in River's Edge) put him back on Hollywood's radar. The role in Hooseers, of an alcoholic who struggles to become an assistant basketball coach, earned him an Oscar nomination. But it was his completely creepy turn as Frank Booth, sucking from an air tank in David Lynch's disturbing, great Blue Velvet that stuck with people and gave Pabst Blue Ribbon a reason to celebrate.

The '90s included great roles in John Dahl's noir-western Red Rock West ('93) and Tony Scott's True Romance ('93) and another chance to prove what a true villain looked and felt like in Jan De Bont's Speed.

Hopper was married five times, including a week long marriage to Michelle Phillips in 1970, and, lastly, to Victoria Duffy. Hopper landed in the tabloids again as earlier this month, ailing badly, he filed for divorce from Duffy, citing irreconcilable differences. Rumors swirled that the divorce was in truth prompted by Hopper's oldest daughter, Marin, and was principally inspired by a dispute over Hopper's estate.

Hopper is survived by four children, including Galen, a six-year old whom he had with Duffy. 

[via IMDB news]

Gary Coleman Dies At 42

Gary Coleman, the centerpiece of the long-running 70s/80s sitcom Diff’rent Strokes, has died in a Provo, Utah hospital from an intracranial hemorrhage he suffered from a fall early this week. Coleman played 8-year-old Arnold Jackson in the hit series produced by Norman Lear, which debuted in 1978 and ran until 1986. His recurrent line, “Whachoo talkin’ ’bout, Willis?” became a standard catchphrase. But Coleman was never able to regain his stardom after Diff’rent Strokes faded away. The actor who had earned as much as $64,000 a week at the height of his success worked as a shopping mall security guard for a time in the 1990s and declared bankruptcy in 1999.
photo credit: IMDB

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FCC Approves 'Selectable Output Control'


FCC regulators are endorsing Hollywood's efforts to let cable and satellite TV companies turn off output connections on the back of set-top boxes to prevent illegal copying of movies.
The decision by the Federal Communications Commission, announced earlier this month, is intended to encourage studios to make movies available for home viewing on demand soon after they hit theaters or even at the same time.
Bob Pisano, head of the Motion Picture Association of America, said the FCC's action will give consumers "far greater access to see recent high-definition movies in their homes."
But critics warned that the FCC order could prevent 20 million Americans with older, analog TVs from seeing these new-release movies at all. That's because the order allows the studios to limit delivery of new movies to only those households with newer digital sets.
In addition, critics say the blocking technology could prohibit legal recordings on some video recorders and other devices with analog connections.
"We are unsure when the FCC has ever before given private entities the right to disable consumers' products in their homes," the Consumer Electronics Association said in a statement. "The fact that the motion picture studios want to create a new business model does not mean that functioning products should be disabled by them."
Public Knowledge, a public interest group, said the FCC "has succumbed to the special-interest pleadings of the big media companies."
What this means is if you watch HD content from a cable company provided digital set-top box, you better have the latest HDCP compliant HDMI standard connection on your TV. Older HDTVs with component connections will be out of luck if the component output is disabled. This causes further problems if you use a home theater receiver to distribute the audio/video signals, as many people do. Since older receivers didn't have HDMI connections, these people would have to change their hookups if they wanted to watch content that has Selectable Output Control enabled.
This is an attempt by the industry to close the 'analog hole,' whereby you could hook a DVD recorder or PC up to those analog outputs such as component video or S-video and make a real-time high quality (but probably not HD) recording. SOC will effectively throw a wrench in anyone using a VCR, DVD recorder, or DVR to time shift any content with SOC enabled.
The good news is, according to the current ruling, SOC would only be enabled on content for the first 90 days of availability, or until the content is released on DVD/Blu-ray, whichever comes first. Cable companies may also be hesitant to enable SOC, fearing customer complaints as well as numerous technical support calls. And this technology will only be implemented in future set-top boxes-not the one you have now.


Are these types of restrictions next to be implemented in our TVs and other devices? Only time will tell.
photo credit: Wired

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